Foto di Installation view of With Pleasure: Pattern and Decoration in American Art 1972–1985,
MOCA Grand Avenue. Courtesy of The Museum of Contemporary Art. Photo by Jeff Mclane
C’è un gran ritorno di tappezzerie e decori e il MOCA Museum of Contemporary Art di Los Angeles ha realizzato una bella mostra che indaga questa estetica negli anni settanta/ottanta dal titolo “With Pleasure: Pattern and Decoration in American Art, 1972–85”, curata da Jonathan Griffin
Il movimento di P&D ebbe un discreto successo negli Stati Uniti, seguito poi dall’onda del neo-espressionismo e dal postmodernismo.
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With Pleasure: Pattern and Decoration in American Art 1972–1985 is the first full-scale scholarly survey of this groundbreaking American art movement, encompassing works in painting, sculpture, collage, ceramics, installation art, and performance documentation. Covering the years 1972 to 1985 and featuring approximately fifty artists from across the United States, the exhibition examines the Pattern and Decoration movement’s defiant embrace of forms traditionally coded as feminine, domestic, ornamental, or craft-based and thought to be categorically inferior to fine art. Pattern and Decoration artists gleaned motifs, color schemes, and materials from the decorative arts, freely appropriating floral, arabesque, and patchwork patterns and arranging them in intricate, almost dizzying, and sometimes purposefully gaudy designs. Their work across mediums pointedly evokes a pluralistic array of sources from Islamic architectural ornamentation to American quilts, wallpaper, Persian carpets, and domestic embroidery. Pattern and Decoration artists practiced a postmodernist art of appropriation borne of love for its sources rather than the cynical detachment that became de rigueur in the international art world of the 1980s. This exhibition traces the movement’s broad reach in postwar American art by including artists widely regarded as comprising the core of the movement, such as Valerie Jaudon, Joyce Kozloff, Robert Kushner, Kim MacConnel, and Miriam Schapiro; artists whose contributions to Pattern and Decoration have been underrecognized, such as Merion Estes, Dee Shapiro, Kendall Shaw, and Takako Yamaguchi; as well as artists who are not normally considered in the context of Pattern and Decoration, such as Emma Amos, Billy Al Bengston, Al Loving, and Betty Woodman. Though little studied today, the Pattern and Decoration movement was institutionally recognized, critically received, and commercially successful from the mid-1970s to the mid-1980s. The overwhelming preponderance of craft-based practices and unabashedly decorative sensibilities in art of the present-day point to an influential P&D legacy that is ripe for consideration.
With Pleasure: Pattern and Decoration in American Art 1972–1985 is organized by Anna Katz, Curator, with Rebecca Lowery, Assistant Curator, The Museum of Contemporary Art, Los Angeles.
Lead support is provided by The Andy Warhol Foundation for the Visual Arts and the Henry Luce Foundation .
Major support is provided by MOCA Projects Council and the Carl & Marilynn Thoma Art Foundation .
Additional support is provided by Clinton Hill/Allen Tran Foundation, Helen N. Lewis and Marvin B. Meyer Charitable Fund in Loving Memory of Marvin B. Meyer, and Thomas Solomon and Kimberly Mascola.
Exhibitions at MOCA are supported by the MOCA Fund for Exhibitions with major funding provided by The Offield Family Foundation and generous funding provided by Dr. Alexander and Judith Angerman, Earl and Shirley Greif Foundation, Sydney Holland, founder of the Sydney D. Holland Foundation, Nathalie Marciano and Julie Miyoshi, Steven and Jerri Nagelberg, Beth Redmond, and Jonathan M. Segal through the Rhonda S. Zinner Foundation.
This exhibition will travel to Hessel Museum of Art, Center for Curatorial Studies, Bard College from June 27, 2020 - November 29, 2020.
