Domenico Olivero, blogger d'arte indipendente dal 2000
Da pochi giorni è stato posto sul quarto plinto l'opera Gift Horse di Hans Haacke, con le solite polemiche.
Hans Haacke - Gift Horse - Proposed Materials: bronze, electroluminescent film
Instead of the statue of William IV astride a horse, as originally planned for the empty plinth, Hans Haacke proposes a skeleton of a riderless, strutting horse. Tied to the horse’s front leg is an electronic ribbon which displays live the ticker of the London Stock Exchange, completing the link between power, money and history. The horse is derived from an etching by George Stubbs, whose studies of equine anatomy were published the year after the birth of the reputedly decadent king, whose statue was abandoned due to a lack of funds. Haacke’s proposal makes visible a number of ordinarily hidden substructures, tied up with a bow as if a gift to all.
Haacke’s early work employed physical and organic processes, such as condensation, in what he called ‘systems’, until his focus shifted to the socio-political field of equally interdependent dynamics. For the last four decades Haacke has been examining relationships between art, power and money, and has addressed issues of free expression and civic responsibilities in democratic societies. Haacke’s practice is difficult to categorise, moving from object to image to text, from painting to photography, at times of a provocative nature.
Hans Haacke was born 1936 in Cologne, Germany. He lives and works in New York.